“Sâkî-nâme”s in classical Turkish literature; these are poetic works that describe the drink, the drinking assemblies, the “sâkî” who offers the drink, the musicians and singers, the procedures and traditions of the drink assemblies, literally or metaphorically. One of the formations that fully demonstrates the identity of the assemblies mentioned in the “Sâkî-nâme” is the “Baykara councils”, which are quite famous in the literary tradition of the Chagatay field. These assemblies, hosted by Hüseyin Baykara and his close friend Ali Şir Nevâyî; are activities with political, literary and social aspects. Ali Şir Nevâyî, one of the pioneers of these assemblies, also wrote two poems in the “sâkî-nâme” type. One of these “sâkî-nâme” in Nevâyî's divan named “Fevâyidü'l-Kiber” was written as “mesnevi” and the other as “terci-i bent”. “Sâkî-nâme”, which is written as “Terci-i bent”, is also included in Nevâyî’s divan named “Garâyibü’s-Sıgar”. While Nevâyî talked about the participants in the assembly in his “sâkî-nâme” which he wrote as “mesnevi”, he frequently mentioned mystical concepts in his “sâkî-nâme” which he wrote as “terci-i bent”. In this study, “sâkî-nâme” written by Nevâyî as “terci-i bent” is discussed. Considering the relations of Nevâyî and his close friend and master Molla Câmî, the sufistic aspect of the poem was emphasized.